STRAWBERRY STORY
31 August 2006 | Por 360 grados | Categorías: 90's, GruposToday, we make an archaeology exercise again looking for the memory of other insignificant group which has been lost in time, rarely vindicated, It seems that people have forgotten them, but they are still alive in the memory of those who knew them during their existence as a group. Because Strawberry Story was one of the most famous group in that prolific universe of British Indie Pop in the last 80’s and first 90’s. One of the most generous in publishing recordings thanks to their participation in twenty compilation tapes and shared flexis.
Stylistically, Strawberry Story represent the most amusing, uninhibited and joking facet of Indie Pop, when other generation colleagues as The fat Tulips or The Haywains fundamentally used sweetness and innocence (the fist ones) or pure fun and kind melodies (the seconds), Strawberry Story played beautiful choirs with sonic velocity thanks to their distorted guitars which sounded with double volume and the unsurpassable voice with childish and noisy tone of Hayley, their tiny singer, together with her, Rex and James played the guitars and composed songs, whereas Paul, the fourth member, played the drums.
The History of Strawberry Story begins in 1988, thanks to Thinking of Julie, the first 7” published with their own label, Daisy Chain Records. The group has a bad memory of this record, they omit its existence when they talk about the records they have released and they even obviated all the songs recorded in this 7†when they drew up a balance of their career with the compilation Cd, which was published by the powerful label Vinyl Japan. So, the true starting point in their musical production is 1989 and 1990 when they recorded their flexi The Literary Achievement of Soft Fruit and the 7” Easy Peazy Lemon Ep, both of them for Daisy Chain Records, although, In Spain, Elefant Records published some copies of this flexi.
Easy Peazy Lemon Ep gets hooked up the first time you listen to it, Gone Like Summer begins sweetly with a childish voice, when she ends the countdown, guitars break into the record grooves, Hayley sings (sometimes she nearly screams) while the hammond and an impish drums mark up the song rhythm, It’s impossible to cause a bigger effect with only three minutes which end with a peaceful guitar. Kissamatic Lovebubble repeats the formula and distorted guitars sound together with the unusual voice of Hayley.
The Literary Achievement of Soft Fruits was published the same year, the result is the different from the previous record, but it is equally brilliant. Two songs, Buttercups and Daisys, with the usual stile but more “civilized”, guitars continue distorting but with less volume and percussion instruments add new elements to their music. The great surprise comes thanks to Midsummers Daydream, a quiet and beautiful theme with acoustic guitars with the same level than their future label companions; The Fat tulips.
Time passes and, in 1991 and 1992 Strawberry Story recorded two 7” for two of most famous label in Indie Pop at that moment, Parasol and Heaven Records. In the first one, Caroline, with three songs which invert the balance, now It seems that the group has matured and Ashlands Road is the hit in this record.
With Heaven they published Small and Slightly Rounded, their best record, with four songs, Chicken Biscuit is another quite song with beautiful orchestration , percussion instruments and bongo drums are the gracefulness of this song, pure syrup. The others three songs show the most noisy facet of the group, with Twenty Six, this song will be one of their most famous themes.
Thanks to this record published by Heaven Records, a more important label, Vinyl Japan, will pay attention to the group. Just at this moment, the group retires from music momentarily, after publishing their new work with the new label, the Cdep The Man With The Stereo Hands, which will confirm that these are not the crazy past years. You will enjoy listening to Precious, that great ballad, five minutes that close the record, or I Never Loved You, with noise explosions which alternate with inoffensive strophes.
Lucky Aubergine closes the group career in 1994, other Cdep, I could repeat the same comments for the previous record, no stylistic change and the only novelty we can find is The Last Thing That You Say, in this sign boys of the group share take vocal importance together with Hayley.
But, one year before, Vinyl Japan had published the compilation Clamming For It, thanks to this record, we find in digital format all the songs published in vinyl until the moment, excepting the first “damn” 7”. We also find three extra themes extracted from some compilation tapes where Strawberry Story had taken part, and Tell Me Now, this song had appeared in one of the flexis of the Woosh label.
Nowadays, nearly all the works of Strawberry Story are sold out, but It’s not difficult to find some 7” or the cd Clamming For It, and also Their Cdep’s with moderate prize, if you find some of them, just buy it, fun without expire date.
aaaaaargggggggggg, strawberry story son unas de mis debilidades, eran la hostia, con esa voz estridente de Hayley (con lo canija q era),me gusta hasta el primer single ‘maldito’. Todavia conservo (aunque no me pongo) la preciosa camiseta del grupo q me hizo llegar Matt de los Fat tulips. Bueno, pensandolo bien, a lo mejor la desempolvo esta noche, y si me sirve :-), ire comprobando la cara de catetos que pone la gente al verla pensando en que coño sera eso de la fresa… Dios mio, tengo que cuidar esta barriga 🙂 Bueno Manolo, mañana me piro de vacas, espero q escirbas mucho y bien como siempre. Lo unico q lamento es no poder ver a los Rezillos. En fin, un abrazo
alex
Hola Alex!
¿Me puedes decir los tÃtulos de las canciones del primer 7″? Es el único que no tengo original, solo grabado, y encima no sé el nombre de los temas….por otra parte he visto una copia de un disco de SS con un nombre muy raro, y estoy por arriesgarme a ver si es ese y completo la discografÃa 🙂
Pasadlo bien en vacaciones y besos para Maruxa!
Un abrazo,
[…] A lo largo del año he ido aplazando este post sin un motivo real. Pereza no ha sido, y menos desinterés. Para mi ha sido uno de mis mejores descubrimientos y fue cuando recién comenzaba el año. Me acuerdo que me los filtró Andreas cuando funcionaba el hub twee.se en el direct connect. “Esto es twee de verdad y no me lo puedo sacar de la cabeza” me dijo, “te va a encantar”. DÃficilmente este amigo sueco se equivoca conmigo. Asà que claro, quedé enganchado. Pensaba recomendarlos entonces. Quizás la temática del post de hoy tenÃa que ser navideña pero creo que para eso está ya el compilatorio que ha hecho Marta/Fuck me I´m twee o el del genial blog The rain fell down. Igualmente espero que todos los lectores del blog pasen una navidad maravillosa, con mucho pop y, si es posible, muchos vinilos y cedés debajo del arbolito. Acá hace calor, los que estén al norte que disfruten el frÃo, los envidio. Mi regalo es sencillamente todas las canciones de Hanky and Panky (lo digo literalmente, pueden descargarlas todas desde su página web, aunque no está de más encargarse el disco fÃsico). Carolina, Fredrik y Erik forman una de las bandas más “cute” y deliciosas del pop sueco. Incluso a Carolina la podrÃamos confundir con Strawberry Story, asà de naif y tiernecita nos canta. Las guitarras no acaban de parecer guitarras, parecen un juego de niños, con un encanto desarmante. El lo-fi es su bandera, pero también lo es el twee y el C86. Que deben admirar a Sheggi, no lo dudo, que les fascina el ramshackle de otros suecos como Free Loan Investments, hay menos dudas. Cuando las canciones se quedan en tu cabeza tanto tiempo, y para mi un año es bastante, hay algo secreto en ellos que los hace de mis favoritos. Desde ya los invito a que los escuchen mil veces. […]